7may19. Orlando, Florida.
7may19. Orlando, Florida.
My journey to becoming a global documenter of graffiti and street art began back in Bogota, Colombia in 2012. It was all of the words scrawled and stenciled on the walls all over the city that prompted a keen interest within me. Two things happened: My Spanish improved quickly (because I had to go home and translate the words into English) and secondly, I got a sense almost overnight of the political issues of the disenfranchised elements of society within the country.
Realizing that graffiti had the power to communicate important messages and concerns of ordinary citizens, I began to pay close attention to the writings on the walls all over the world. It’s amazing what you can see when you look. It’s amazing what you can hear when you listen. It’s amazing what you can understand when you open your heart.
Once the foundation of my passion was set, my documentation progressed to all genres of street art including murals, stickers, sculptures, wheat pastes, everything and anything, that I judged to be making a statement of some kind in a public arena.
Since 2012, this blog has grown exponentially and one series in particular, the “Politiks of Graffiti” series featuring street art images I’ve collected around the world, combined with the weekly list covering the current state of the U.S. government compiled by activist Amy Siskind, has garnered a lot of interest and has a bit of a following on Twitter. It’s important to note that I cover all forms of political statements I discover in public art. It’s unfortunate that it just so happens, the current “P.O.G” is heavily laden with visual commentary of ’45.’ I would love for it to be something else, or something more, and I believe it will be, eventually.
In the future, I plan to do a book of “Graffiti and Global Politics,” or something like that, using the images I’ve collected around the world in the past decade.
That being said, I am currently in San Jose, Costa Rica and the walls are rife with political statements.
Please check them out below:
11/12/13/14/15FEB2019 San Jose, Costa Rica.
In some ways this week felt normal as leaders of France and Germany visited the White House, and the leaders of North and South Korea met for a historic summit and spoke of the denuclearizing the peninsula. In the days Macron was in America, the country seemed relatively calm with less news breaking and Trump refraining from his typical banter and tweets.
But beneath the veneer, the dysfunction and chaos of the Trump regime continued. Amid the firing and attempted nominations of top officials, Trump continues to unilaterally pick from a small circle of unqualified sycophants. This week the country was shocked when Speaker Ryan fired the House chaplain for speaking up for the less fortunate — symbolic for Republicans in the era of Trump who have joined in the weekly attacks on “the others” and those who would advocate for them. As the week ended, the country endured another fallen norm: a functional House Intelligence Committee.
5apr17. East Village, NYC
For more information on this fantastic guy and artist, please visit his page: http://www.crispstreetart.com
This is: “Henri Grégoire (French: [ɑ̃ʁi ɡʁeɡwaʁ]; 4 December 1750 – 28 May 1831), often referred to as Abbé Grégoire, was a French Roman Catholic priest, constitutional bishop of Blois and a revolutionary leader. He was an ardent abolitionist and supporter of universal suffrage, and was a founding member of the Bureau des longitudes, the Institut de France, and the Conservatoire national des arts et métiers.”
By: “C215, is the moniker of Christian Guémy, a French street artist hailing from Paris who has been described as “France’s answer to Banksy”. C215 primarily uses stencils to produce his art.”
At: “The Musée des Arts et Métiers (French pronunciation: [myze dez‿aʁz‿e metje], Museum of Arts and Crafts) is an industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.” (wiki)
27feb15. Paris, France.