


22may26
a world travel photo blog by Jackie Hadel



22may26

Yi Kakada (often known as Kakada Yi) is a prominent, self-taught contemporary Cambodian street artist and muralist. Born in 1996 in Battambang province—historically the artistic hub of Cambodia—he has become a recognizable figure in the Kingdom’s flourishing urban art scene.

One of Kakada’s most famous physical talents is his ability to paint ambidextrously. He can draw different images with both hands simultaneously, a skill that often captivates audiences during live painting showcases. He is also recognized for creating “two-canvas” paintings that seamlessly merge to tell a singular story.

Kakada’s journey to becoming a full-time artist is marked by resilience. He lost both of his parents at an early age and faced severe financial hardship, which forced him to drop out of high school. He moved to Phnom Penh with his siblings to look for opportunities, relying entirely on his raw talent.

Without formal art school training, he mastered his craft through hands-on practice, initially using standard house paint because expensive spray cans were out of reach. His breakthrough came when he won first place in the “Asian Drawing Category” in a competition organized by UNESCO.

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If you slip just a few blocks northwest of the palace grounds, you’ll find yourself standing before the quiet, sun-drenched courtyard of Wat Saravan (officially Wat Saravan Techo).

While it rarely tops the generic “must-see” lists for casual tourists, this historic pagoda holds a profound significance. It is a living survivor of Cambodia’s complex history and, quite literally, a legendary treasury of traditional knowledge.

1422 (The Legendary Foundation): Local history states that the temple was first established in the early 15th century when Phnom Penh was just beginning to expand. At the time, this area was a swampy forest known as Boeung Reang. It was one of seven foundational pagodas that anchored the early spiritual landscape of the city.

1892 (The Modern Rebuild): The classic, elegant brick structures and layout you wander through today were constructed in 1892 under the reign of King Norodom, a time when Phnom Penh was being extensively remodeled.


Like so many sacred spaces in Cambodia, Wat Saravan fell dark during the Khmer Rouge regime from 1975 to 1979. It was emptied, desecrated, and abandoned. Walking through it today, watching the saffron robes of the resident monks glide past restored stupas, you realize that its quiet presence isn’t just scenic—it’s a monument to cultural resilience.


The Great Library of the Kingdom
While its architecture is stunning, Wat Saravan’s truest claim to fame is intellectual. Historically, this monastery was the epicentre of manuscript preservation in Cambodia.

Before the mid-20th century conflicts, Wat Saravan housed more than 3,400 ancient palm-leaf manuscripts (Sastras), making it what scholars widely considered the largest traditional library in the country.

These were not standard books. Scribes meticulously scratched sacred texts onto dried, treated palm leaves, preserving thousands of years of Pali and Khmer knowledge. These fragile leaves contained everything from deep Buddhist philosophy and epic poetry to foundational records of traditional medicine, astronomy, and ancient law.








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“I wake up.
I philosophize.
I existentialize.
I wander.”
©️Jackie Hadel, 2026
This thought came into existence on one of my wanderings during this current 6-month stint in Saigon. I tried to articulate what my life is like at the moment.





August 2026

Wat Ounalom.
“Ounalom” translates to “eyebrow hair.” Founded in 1443, this sacred site is the spiritual heart of Cambodian Buddhism and houses a revered relic: a hair from the Buddha’s eyebrow.

It survived the devastation of the Khmer Rouge era. Today it’s a symbol of Cambodia’s resilience and enduring faith.







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August 2026