SAIGON, VIETNAM 🇻🇳: A FAREWELL TO VIETNAMESE COFFEE, FOR NOW

Six months ago I arrived in Saigon and went straight for the condensed milk. That first cà phê sữa đá was an introduction and a seduction all at once, sweet enough to mask the fact that I had no idea what I was doing here, no real plan beyond staying a while and seeing what happened. Sugar is a good way to ease into a place. 😆

Somewhere in those six months, the sugar fell away. I couldn’t tell you the exact week it happened, only that I noticed one morning I was ordering đen đá without thinking, and it didn’t taste bitter anymore, it just tasted like the truth of the bean. That’s what daily ritual does. It stripped away what I needed at the start because I no longer need it.

I’ve built a tolerance, not just for caffeine, but for the Saigon itself, for its noise and its heat and its rhythm. Six months of the same coffee, every day, will eventually show you who you actually are when nobody’s sweetening the situation for you.

Today, on what may or may not be my last Vietnamese coffee in Saigon (I know myself well enough not to promise anything, I may wander into another one before the day ends), I found a café tucked so far down a hẻm off Lê Thị Riêng that I nearly missed the turn. That kind of discovery only happens by accident, and only near the end of a stay, when I’ve stopped looking for anything and the city decides to show me one more thing anyway, as if to say: see, there was always more here than you found.

I’m drinking a peanut butter coffee, which is not how I started this journey and not how I expected to end it, either.

And there’s an apple pastry on the counter that I keep looking at even though I never eat pastries. It’s shaped, absurdly and beautifully, like the Vietnamese flag, and I can’t stop thinking that the timing of it, national day just behind me, my own departure just ahead of me tomorrow, feels less like coincidence and more like the city tying a bow on something.

There’s an existential weight to drinking a last cup of anything. It’s never really about the coffee. It’s about what the coffee marked, the mornings that started because of it, the version of myself who showed up here in March not knowing the word “hẻm,” who now knows exactly which turn to take without looking.

Six months is long enough to stop being a visitor and start being someone who simply lives somewhere, and then to leave anyway, which is its own kind of grief, small and specific and easy to miss if I’m not paying attention.

Tomorrow I go to Cambodia. Today I sit with this cup, in this hidden place I’ll probably never find again, and let the nostalgia arrive early, since it clearly wasn’t going to wait for the actual goodbye. This isn’t a permanent farewell. Vietnamese coffee doesn’t really let you go that easily, and I suspect it’ll find me again somewhere down the road, condensed milk or not. But for now, this is it. Six months, one last cup.

September 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: PROTECT WILD ANIMALS

BẢO VỆ ĐỘNG VẬT HOANG DÃ

Bảo vệ: Bao vay (Protect)

Động vật: Dong vut (Animals)

Hoang dã: Hoang ya (Wild)

26june26

SAIGON, VIETNAM 🇻🇳 STREET ART: MURALIZING COLONIALISM

Two huge murals covering the entire side of an old colonial building.

26june26

SAIGON, VIETNAM 🇻🇳 STREET ART: RELAX, BART

June 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: ANIME WALLS

June 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: BROS

SAIGON, VIETNAM 🇻🇳 STREET ART: 🌳 “CHIẾN DỊCH TÌNH NGUYỆN MÙA HÈ XANH” = Green Summer Volunteer Campaign

Finally catching a Propaganda Mural being painted live!
🌳 “CHIẾN DỊCH TÌNH NGUYỆN MÙA HÈ XANH” = Green Summer Volunteer Campaign – This is a major, annual volunteer program in Vietnam, primarily organized for university and college students.
💧 Bảo Vệ Nguồn Nước = Protecting Water Resources
♻️ Tái Chế Rác Thải = Recycling Waste
🗑️ Cầu Ông Lãnh – Góc Gọn Hẻm Sạch = Neat Corner, Clean Alley

21june26

SAIGON, VIETNAM 🇻🇳: EVERYDAY LIFE IS ICONIC

The iconic combination of the conical hat, plastic chair and table, and iced coffee in a plastic cup. Bonus: Graffiti scrawled on the weather- beaten wall.
Often referred to as the Catinat Building or the 26 Ly Tu Trong Old Apartment, it perfectly captures Saigon’s layers of time—stretching from French colonial elegance to wartime intelligence.
The French Colonial Era (Late 1920s)
🇻🇳 Built around 1926–1927 by the French, it was originally named the Catinat Building (as Đồng Khởi street was then called Rue Catinat). It was designed as a luxury Art Deco/Early Modernist mixed-use complex.
🇻🇳 The ground floor housed high-end commercial businesses, including the famous Société Indochinoise de Transports (SIT).
🇻🇳 The upper floors were designed as upscale residential apartments for wealthy French officials, expatriates, and the elite class of Indochina.
Just one of many “alley gangs.” To say they’re photogenic, is an understatement.
National Pride
An eclectic group of smiling individuals at a fave neighborhood café. Tao Florist / Tao Café. 📍 28C Ton That Tung
Com Tam Suon (grilled pork and rice): The breakfast, lunch, and dinner, of champions.
239 De Tham:
 An extreme and fascinating example of a Vietnamese “super-thin tube house” (nhà siêu mỏng).
Beautiful ominous clouds almost on the daily during rainy season.

June 2026

SAIGON, VIETNAM 🇻🇳: TOKIDOKI NOMAD T-SHIRT 2 by ©️JAHA 1

This design is inspired by the iconic red plastic stools of Vietnam, my Adidas Sambas, Vietnamese coffee, my field notes journal writing, graffiti, photography (camera slung over the shoulder,) some of the places I’ve been fortunate enough to live in and travel to…and the masterpiece novel I just finished by Fernando Pessoa: “The Book of Disquiet.”

*Design 3 is ready, but production is on hold due to a weeklong Vietnam holiday and my impending departure to Cambodia. I’ll try to pick things up from there.

27aug26

PHNOM PENH, CAMBODIA 🇰🇭: WAT PHNOM

The story of a humble woman whose devotion shaped the destiny of a nation…

On top of a small hill in the heart of the capital, stands Wat Phnom, a sacred temple that marks the beginning of Phnom Penh’s story.

According to Cambodian tradition, Lady Penh, also known as Daun Penh, lived along the banks of the Tonlé Sap River in the late fourteenth century. One day, after heavy rains had swollen the river, she discovered a large floating koki tree. Curious about the unusual sight, she had the tree brought ashore and found within it four bronze Buddha statues and a statue of the Hindu deity Vishnu.

Believing the sacred images to be a sign from the heavens, Lady Penh gathered the villagers and ordered the construction of an artificial hill to house the statues. A shrine was built on top, creating a place of worship that would eventually become Wat Phnom.

The hill became known as “Phnom Penh,” meaning “Penh’s Hill,” and over time the surrounding settlement grew into the city that would later become Cambodia’s capital. What began as an act of faith by one woman transformed into the foundation of a thriving metropolis that today is home to millions of people.

At the base of the hill, the famous flower clock welcomes visitors and symbolizes the passage of time. Together with the ancient temple above, it represents the harmonious blend of history and modern life that defines Phnom Penh today.

10june26