SAIGON, VIETNAM 🇻🇳 STREET ART: PROPAGANDA AND GRAFFITI

Propaganda Art
Art on the Saigon River

May 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: ENVIRONMENT PROPAGANDA

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SAIGON, VIETNAM 🇻🇳 STREET ART: CHILL

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SAIGON, VIETNAM 🇻🇳 STREET ART: INDIGENOUS by ARTIST UNKNOWN

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SAIGON, VIETNAM 🇻🇳 STREET ART: PROPAGANDA MURAL

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SAIGON, VIETNAM 🇻🇳 STREET ART: BLOOM by YESSIOW & STIJN

📍 Co Giang

🇮🇩 Yessiow (born Yessi Nur Mulianawati) is an internationally recognized Indonesian mural artist and illustrator originally from Bali. Known for her bold, playful, and vibrant style, she uses her art to brighten public spaces and connect deeply with local communities around the world. 

🎨 In recognition of her impact on public art and community engagement, she was named to the Forbes 30 Under 30 Asia (Arts) list in 2024. 

🌴 Yessiow’s work is instantly recognizable for its distinct visual language, which blends her roots with contemporary street art:
Vibrant Tropical Palette: Growing up in Bali strongly influenced her use of bright, saturated colors and natural, organic shapes. 

💪 Representation and Diversity: Her murals frequently explore themes of women’s empowerment, body positivity, unity, and the celebration of diverse skin tones.

22may26

SAIGON, VIETNAM 🇻🇳: BIA CATS, BUILDINGS & POIGNANCY

Top of a Temple
35 Nguyễn Văn Tráng is one of the roughly 500 “old apartment buildings” (chung cư cũ) that define the architectural landscape of District 1.

1. Mid-Century Origins (1960s–1970s)

The building was constructed between 40 and 60 years ago, placing its origins in the era of the Republic of Vietnam (South Vietnam). At that time, Nguyễn Văn Tráng was part of a bustling residential and commercial zone near the Ben Thanh market.

• Design Philosophy: Unlike the ornate French colonial buildings, No. 35 reflects the modernist/brutalist leanings of that era—characterized by raw concrete, functional geometric lines, and open hallways designed to catch the breeze.

• The Materiality: It is noted for its “rough beauty,” featuring original đá rửa (washed stone) and traditional gạch bông (encaustic cement tiles) on the floors—materials that were once the standard for middle-class Saigonese living.

2. Post-1975 Transition

Following the events of 1975, many of these apartment buildings were reorganized. Large units were often subdivided into smaller residences to accommodate the city’s growing population. This created the “winding corridor” atmosphere you see today, where private life spills out into shared hallways with small kitchens and drying laundry.

3. The 2017 Revitalization

In 2017, the building gained a new life through the work of architect Nguyên Hạnh Nguyên.

• Preservation through Cleaning: Rather than tearing it down or covering it in modern panels, the team focused on deep-cleaning the old concrete and tiles.

• Contrast Architecture: They added glass elements to create a contrast between the “old rough” and “new smooth,” which made the building a magnet for the city’s creative community.

4. Present Day: A Creative Hub

Today, No. 35 is no longer just a residential block. It has become a vertical “hidden village” for Saigon’s youth and nomadic travelers:

• Hidden Cafes & Shops: It houses “secret” spots like Nhà Chung Cafe and the foreign language bookstore/cafe Pages of Passion.

• Nomadic Lodging: Higher floors are home to hostels and boutique stays like Onetel Saigon Panorama, offering a rooftop view of the skyline that contrasts sharply with the gritty, historical staircases.

It’s a great example of how Saigon’s history isn’t just found in museums, but in the layers of paint and concrete of the buildings where people still live, work, and drink coffee every day.

Travel Tip: If you head up to the higher floors, look for the original tile patterns; they are a direct link to the interior design trends of the 1960s Saigon middle class.

This is a building being constructed. Interesting style! I’m not sure what type of building it will be, commercial or residential, but I assume commercial. I’ll follow up on this once it’s completed, which is sooner than you think in Saigon.
Political graffiti is rare in Saigon, but this one is especially poignant. A writer is equating the reunification day of Vietnam in 1975 to the state of Palestine in modern day.
No one can carry as much on a motorbike than the Vietnamese. 🙇‍♀️
Bananas 🍌

May 2026

SAIGON, VIETNAM 🇻🇳: GOLD

gold
Khăn rằn. The black and white checkered scarf. Originally worn by Mekong Delta farmers against sun and dust. Became the symbol of the southern resistance when Viet Cong guerrillas wore it as headwrap, face covering, and makeshift bag. During the war, wearing one was enough to get you questioned by soldiers. After 1975 it became a patriotic symbol. 🇻🇳
blue on blue
as you emerge from your accommodation in the morning, you are confronted with the realization that the day started much earlier for others
is this the same expression above as below?
you learn to lock your bag pockets and secure your bag to something sturdy when you travel off the beaten path. when i’m having a coffee and reading, it’s nice to know my bag is going to be difficult to snag…

May 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: ART IS NOT A CRIME

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SAIGON, VIETNAM 🇻🇳: MAKES YOU WANT THINGS YOU FORGOT YOU NEEDED

Andrew X. Pham (Catfish and Mandala):
“Saigon makes you want things you forgot you needed.”
Jean-Claude Pomonti (Un Vietnamien Bien Tranquille):
“Saigon is a woman who changes her dress but never her habits.”
Tim O’Brien (The Things They Carried):
“The war was over and there was no place in particular to go.”
Iconic Red Stool

May 2026