NOV2019. NYC
NEW YORK CITY STREET ART: NYC EATS ITS YOUNG
Tag: new york city
NEW YORK CITY STREET ART: FURY
nov2019. NYC
NEW YORK CITY STREET ART: TURNING YOUR BACK ON HISTORY
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@arkane.art .
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Brooklyn New York 🇺🇸 26nov19
“Primal is a Montpelliérain artist, from the collective Atelier Triptyque. He has built a universe around retro characters, skinned, dismantled. His scenes are punctuated by a tangle of geometric and organic elements, shared between a quirky dream and a sometimes disturbing atmosphere. Most often, Primal represents what the complexity of a tormented spirit is to him; a deep curiosity for what apparently inspires human beings and the deeper torments that surround them. Primal owes his inspiration to the world of comics, which has always pushed him to tell his stories in his own way.” (wescover.com)
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Brooklyn New York 🇺🇸 26nov19
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Lower East Side, NYC 🇺🇸 26nov19
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𝘛𝘰𝘥𝘢𝘺 𝘵𝘩𝘦 𝘤𝘩𝘶𝘳𝘤𝘩 𝘢𝘵 126 𝘍𝘰𝘳𝘴𝘺𝘵𝘩 𝘚𝘵𝘳𝘦𝘦𝘵 / 𝘋𝘦𝘭𝘢𝘯𝘤𝘦𝘺 𝘪𝘴 𝘬𝘯𝘰𝘸𝘯 𝘢𝘴 𝘵𝘩𝘦 𝘛𝘦𝘮𝘱𝘭𝘰 𝘈𝘥𝘷𝘦𝘯𝘵𝘪𝘴𝘵𝘢 𝘥𝘦𝘭 𝘚𝘦𝘱𝘵𝘪𝘮𝘰 𝘋𝘪𝘢 (𝘚𝘦𝘷𝘦𝘯𝘵𝘩 𝘋𝘢𝘺 𝘈𝘥𝘷𝘦𝘯𝘵𝘪𝘴𝘵 𝘊𝘩𝘶𝘳𝘤𝘩). 𝘉𝘶𝘵 𝘵𝘩𝘪𝘴 𝘸𝘢𝘴𝘯’𝘵 𝘢𝘭𝘸𝘢𝘺𝘴 𝘵𝘩𝘦 𝘤𝘢𝘴𝘦. 𝘓𝘰𝘰𝘬 𝘤𝘭𝘰𝘴𝘦𝘭𝘺 𝘢𝘵 𝘵𝘩𝘦 𝘵𝘢𝘯-𝘢𝘯𝘥-𝘳𝘦𝘥 𝘧𝘢𝘤𝘢𝘥𝘦 𝘢𝘯𝘥 𝘺𝘰𝘶 𝘸𝘪𝘭𝘭 𝘯𝘰𝘵𝘪𝘤𝘦 𝘦𝘷𝘪𝘥𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨’𝘴 𝘑𝘦𝘸𝘪𝘴𝘩 𝘱𝘢𝘴𝘵. 𝘔𝘢𝘯𝘺 𝘑𝘦𝘸𝘪𝘴𝘩 𝘴𝘵𝘢𝘳𝘴 𝘢𝘳𝘦 𝘲𝘶𝘪𝘵𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘸𝘪𝘵𝘩𝘪𝘯 𝘵𝘩𝘦 𝘰𝘳𝘯𝘢𝘵𝘦 𝘸𝘪𝘯𝘥𝘰𝘸 𝘢𝘳𝘤𝘩𝘦𝘴. 𝘙𝘦𝘨𝘢𝘳𝘥𝘭𝘦𝘴𝘴 𝘰𝘧 𝘳𝘦𝘭𝘪𝘨𝘪𝘰𝘶𝘴 𝘢𝘧𝘧𝘪𝘭𝘪𝘢𝘵𝘪𝘰𝘯, 𝘩𝘰𝘸𝘦𝘷𝘦𝘳, 𝘵𝘩𝘪𝘴 𝘩𝘰𝘶𝘴𝘦 𝘰𝘧 𝘸𝘰𝘳𝘴𝘩𝘪𝘱 𝘪𝘴 𝘢𝘯 𝘪𝘤𝘰𝘯 𝘰𝘧 𝘓𝘰𝘸𝘦𝘳 𝘌𝘢𝘴𝘵 𝘚𝘪𝘥𝘦 𝘩𝘪𝘴𝘵𝘰𝘳𝘺.
𝘛𝘩𝘦 𝘙𝘰𝘮𝘢𝘯𝘦𝘴𝘲𝘶𝘦 𝘙𝘦𝘷𝘪𝘷𝘢𝘭 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘸𝘢𝘴 𝘦𝘳𝘦𝘤𝘵𝘦𝘥 𝘪𝘯 1890 𝘣𝘺 𝘢 𝘳𝘦𝘯𝘰𝘸𝘯𝘦𝘥 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵 𝘯𝘢𝘮𝘦𝘥 𝘑𝘰𝘴𝘪𝘢𝘩 𝘊𝘭𝘦𝘷𝘦𝘭𝘢𝘯𝘥 𝘊𝘰𝘥𝘺, 𝘢𝘯𝘥 𝘸𝘢𝘴 𝘢 𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘩𝘰𝘮𝘦 𝘵𝘰 𝘢 𝘮𝘪𝘴𝘴𝘪𝘰𝘯𝘢𝘳𝘺 𝘨𝘳𝘰𝘶𝘱 𝘢𝘵𝘵𝘦𝘮𝘱𝘵𝘪𝘯𝘨 𝘵𝘰 𝘱𝘳𝘰𝘴𝘦𝘭𝘺𝘵𝘪𝘻𝘦 𝘢𝘮𝘰𝘯𝘨 𝘵𝘩𝘦 𝘑𝘦𝘸𝘪𝘴𝘩 𝘱𝘦𝘰𝘱𝘭𝘦. 𝘛𝘩𝘦𝘪𝘳 𝘦𝘧𝘧𝘰𝘳𝘵𝘴 𝘥𝘪𝘥 𝘯𝘰𝘵 𝘣𝘦𝘢𝘳 𝘧𝘳𝘶𝘪𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦𝘺 𝘴𝘰𝘰𝘯 𝘴𝘰𝘭𝘥 𝘵𝘩𝘦 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘵𝘰 𝘵𝘩𝘦 𝘊𝘩𝘦𝘷𝘳𝘢𝘩 𝘗𝘰𝘦𝘭 𝘡𝘦𝘥𝘦𝘬 𝘈𝘯𝘴𝘤𝘩𝘦𝘪 𝘐𝘭𝘭𝘪𝘢. 𝘛𝘩𝘦 𝘊𝘩𝘦𝘷𝘳𝘢𝘩 𝘸𝘢𝘴 𝘧𝘰𝘶𝘯𝘥𝘦𝘥 𝘣𝘺 𝘢 𝘴𝘮𝘢𝘭𝘭 𝘨𝘳𝘰𝘶𝘱 𝘰𝘧 𝘪𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘴𝘩𝘵𝘦𝘵𝘭 𝘰𝘧 𝘐𝘭𝘭𝘪𝘢, 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘳𝘰𝘷𝘪𝘯𝘤𝘦 𝘰𝘧 𝘝𝘪𝘭𝘯𝘢, 𝘓𝘪𝘵𝘩𝘶𝘢𝘯𝘪𝘢. 𝘛𝘩𝘦𝘴𝘦 𝘪𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴 𝘭𝘰𝘯𝘨𝘦𝘥 𝘧𝘰𝘳 𝘢 𝘵𝘢𝘴𝘵𝘦 𝘰𝘧 𝘩𝘰𝘮𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘮𝘪𝘥𝘴𝘵 𝘰𝘧 𝘢 𝘧𝘰𝘳𝘦𝘪𝘨𝘯 𝘭𝘢𝘯𝘥. 𝘛𝘩𝘦𝘺 𝘥𝘦𝘤𝘪𝘥𝘦𝘥 𝘵𝘰 𝘧𝘰𝘳𝘮 𝘢 𝘧𝘦𝘭𝘭𝘰𝘸𝘴𝘩𝘪𝘱 𝘪𝘯 𝘰𝘳𝘥𝘦𝘳 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘢 𝘱𝘭𝘢𝘤𝘦 𝘵𝘰 𝘱𝘳𝘢𝘺 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘢𝘯𝘥 𝘮𝘦𝘦𝘵 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦𝘪𝘳 𝘧𝘦𝘭𝘭𝘰𝘸 𝘤𝘰𝘶𝘯𝘵𝘳𝘺𝘮𝘦𝘯, 𝘵𝘰 𝘩𝘦𝘭𝘱 𝘦𝘢𝘤𝘩 𝘰𝘵𝘩𝘦𝘳, 𝘢𝘯𝘥 𝘵𝘰 𝘩𝘦𝘢𝘳 𝘯𝘦𝘸𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘰𝘭𝘥 𝘩𝘰𝘮𝘦. (𝘪𝘱𝘦𝘳𝘯𝘪𝘵𝘺.𝘤𝘰𝘮)
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𝘓𝘰𝘸𝘦𝘳 𝘌𝘢𝘴𝘵 𝘚𝘪𝘥𝘦, 𝘕𝘠𝘊 24𝘕𝘖𝘝19
𝟷𝟹𝟶 𝙱𝚘𝚠𝚎𝚛𝚢 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝙱𝚛𝚘𝚘𝚖𝚎 𝚊𝚗𝚍 𝙶𝚛𝚊𝚗𝚍 𝚂𝚝𝚛𝚎𝚎𝚝𝚜. 𝙳𝚎𝚜𝚒𝚐𝚗𝚎𝚍 𝚋𝚢 𝚂𝚝𝚊𝚗𝚏𝚘𝚛𝚍 𝚆𝚑𝚒𝚝𝚎 𝚊𝚗𝚍 𝚋𝚞𝚒𝚕𝚝 𝚒𝚗 𝟷𝟾𝟿𝟹–𝟿𝟻.
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𝚆𝚑𝚒𝚝𝚎’𝚜 𝚌𝚑𝚘𝚒𝚌𝚎 𝚘𝚏 𝚊 𝚁𝚘𝚖𝚊𝚗 𝚌𝚕𝚊𝚜𝚜𝚒𝚌𝚊𝚕 𝚜𝚝𝚢𝚕𝚎 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚋𝚞𝚒𝚕𝚍𝚒𝚗𝚐, 𝚊 𝚏𝚒𝚛𝚜𝚝, 𝚜𝚎𝚝 𝚊 𝚝𝚛𝚎𝚗𝚍 𝚏𝚘𝚛 𝚋𝚊𝚗𝚔 𝚋𝚞𝚒𝚕𝚍𝚒𝚗𝚐𝚜, 𝚏𝚒𝚛𝚜𝚝 𝚒𝚗 𝙽𝚎𝚠 𝚈𝚘𝚛𝚔, 𝚊𝚗𝚍 𝚝𝚑𝚎𝚗 𝚊𝚌𝚛𝚘𝚜𝚜 𝚝𝚑𝚎 𝚄𝚗𝚒𝚝𝚎𝚍 𝚂𝚝𝚊𝚝𝚎𝚜.
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𝙸𝚗 𝟷𝟿𝟶𝟼, 𝚆𝚑𝚒𝚝𝚎 𝚠𝚊𝚜 𝚜𝚑𝚘𝚝 𝚊𝚗𝚍 𝚔𝚒𝚕𝚕𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚖𝚎𝚗𝚝𝚊𝚕𝚕𝚢 𝚞𝚗𝚜𝚝𝚊𝚋𝚕𝚎 𝚖𝚒𝚕𝚕𝚒𝚘𝚗𝚊𝚒𝚛𝚎 𝙷𝚊𝚛𝚛𝚢 𝙺𝚎𝚗𝚍𝚊𝚕𝚕 𝚃𝚑𝚊𝚠, 𝚠𝚑𝚘 𝚑𝚊𝚍 𝚋𝚎𝚌𝚘𝚖𝚎 𝚘𝚋𝚜𝚎𝚜𝚜𝚎𝚍 𝚊𝚋𝚘𝚞𝚝 𝚆𝚑𝚒𝚝𝚎’𝚜 𝚙𝚛𝚎𝚟𝚒𝚘𝚞𝚜 𝚛𝚎𝚕𝚊𝚝𝚒𝚘𝚗𝚜𝚑𝚒𝚙 𝚠𝚒𝚝𝚑 𝚃𝚑𝚊𝚠’𝚜 𝚠𝚒𝚏𝚎, 𝚊𝚌𝚝𝚛𝚎𝚜𝚜 𝙴𝚟𝚎𝚕𝚢𝚗 𝙽𝚎𝚜𝚋𝚒𝚝. 𝚃𝚑𝚒𝚜 𝚕𝚎𝚍 𝚝𝚘 𝚊 𝚌𝚘𝚞𝚛𝚝 𝚌𝚊𝚜𝚎 𝚠𝚑𝚒𝚌𝚑 𝚠𝚊𝚜 𝚍𝚞𝚋𝚋𝚎𝚍 “𝚃𝚑𝚎 𝚃𝚛𝚒𝚊𝚕 𝚘𝚏 𝚝𝚑𝚎 𝙲𝚎𝚗𝚝𝚞𝚛𝚢.” (𝚠𝚒𝚔𝚒)
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𝙽𝚎𝚠 𝚈𝚘𝚛𝚔 , 🇺🇸 𝟸𝟼𝚗𝚘𝚟𝟷𝟿
30nov19. NYC.
NEW YORK CITY, NEW YORK STREET ART: ANIMAL INSTINCTS
@citykittystreet @fumeroism @rxskulls@urbanninjasquadron @keydetail
East Village NYC 🇺🇸 24nov19
@conse.eu
Brooklyn NY 🇺🇸 26nov19
Lower East Side NYC 🇺🇸 27nov19
@patchwhisky
Harlem, NY 🇺🇸 28nov19
Jean Michel Basquiat by Owen Dippie and Al Diaz. Brooklyn, NY 
New York City 🇺🇸 25nov19
November 2019. New York City
NEW YORK CITY STREET ART: Ɠ Ƕ ට Ϛ Ͳ “ed”
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26nov19. NYC
NEW YORK CITY, NEW YORK STREET ART: GREEN CRAYONS & BACKPACKS
@cpwon
𝙇𝙤𝙘𝙖𝙩𝙞𝙤𝙣: 55 𝙀. 𝙃𝙤𝙪𝙨𝙩𝙤𝙣 𝙎𝙩. , 𝙉𝙚𝙬 𝙔𝙤𝙧𝙠 𝘾𝙞𝙩𝙮 🇺🇸 22𝙣𝙤𝙫19
Australian artist: Anthony Lister
@anthonylister .
This has been tagged over pretty badly, but there’s no mistaking his scrawling, figurative style that defines his work and leaves no doubt about a piece being a “Lister.” Location: Elizabeth & Broome
New York City 22nov19 🇺🇸
@binho3m .
ᶠⁱʳˢᵗ ˢᵗʳᵉᵉᵗ ᴳʳᵉᵉⁿ ᴾᵃʳᵏ.
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ᴱᵃˢᵗ ⱽⁱˡˡᵃᵍᵉ, ᴺʸᶜ ²¹ⁿᵒᵛ¹⁹
𝗠𝗶𝗻𝗻𝗶𝗰𝗸’𝘀 “𝘀𝘁𝘆𝗹𝗲 𝗼𝗳 𝗽𝗮𝗶𝗻𝘁𝗶𝗻𝗴 𝗶𝘀 𝗼𝗳𝘁𝗲𝗻 𝗰𝗼𝗺𝗽𝗮𝗿𝗲𝗱 𝘁𝗼 𝗕𝗮𝘀𝗾𝘂𝗶𝗮𝘁, 𝘄𝗵𝗶𝗹𝗲 𝗵𝗶𝘀 𝗰𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝘀 𝘁𝗵𝗲𝗺𝘀𝗲𝗹𝘃𝗲𝘀 𝗼𝗳𝘁𝗲𝗻 𝗯𝗿𝗶𝗻𝗴 𝗮 𝗵𝗲𝗮𝗿𝘁𝗳𝗲𝗹𝘁 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗶𝗼𝗻 𝘁𝗼 𝗞𝗲𝗶𝘁𝗵 𝗛𝗮𝗿𝗶𝗻𝗴’𝘀 𝘄𝗼𝗿𝗸, 𝗮 𝗽𝗲𝗿𝗳𝗲𝗰𝘁 𝗯𝗹𝗲𝗻𝗱 𝗼𝗳 𝗛𝗮𝗿𝗶𝗻𝗴’𝘀 𝗵𝘂𝗺𝗼𝗿 𝘄𝗶𝘁𝗵 𝗠𝗶𝗻𝗻𝗶𝗰𝗸’𝘀 𝘄𝗵𝗶𝗺𝘀𝗶𝗰𝗮𝗹 𝘀𝘁𝘆𝗹𝗲 𝗮𝗻𝗱 𝘀𝗲𝗻𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝘆.” (𝗰𝗹𝗲𝗮𝗿𝗺𝗮𝗴)
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@dannyminnick .
𝗜 𝘄𝗮𝘀 𝘀𝘁𝗼𝗸𝗲𝗱 𝘁𝗼 𝘀𝗲𝗲 𝗵𝗶𝘀 𝘀𝘁𝘂𝗳𝗳 𝗶𝗻 𝗡𝗬𝗖!
𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: 𝗘𝗹𝗶𝘇𝗮𝗯𝗲𝘁𝗵 & 𝗕𝗿𝗼𝗼𝗺𝗲
𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 𝗖𝗶𝘁𝘆 𝟮𝟮𝗻𝗼𝘃𝟭𝟵 🇺🇸
𝒩𝑒𝓌 𝒴𝑜𝓇𝓀 𝒞𝒾𝓉𝓎 🇺🇸 𝟤𝟤𝓃𝑜𝓋𝟣𝟫
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“…𝒕𝒉𝒆 𝒂𝒔𝒑𝒆𝒄𝒕 𝒐𝒇 𝒅𝒓𝒂𝒘𝒊𝒏𝒈 𝑰 𝒎𝒐𝒔𝒕 𝒆𝒏𝒋𝒐𝒚 𝒊𝒔 𝒎𝒂𝒌𝒊𝒏𝒈 𝒕𝒉𝒊𝒏𝒈𝒔 𝒖𝒑…𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒔𝒕𝒖𝒇𝒇 𝒕𝒉𝒂𝒕 𝒅𝒐𝒆𝒔𝒏’𝒕 𝒐𝒓 𝒄𝒂𝒏’𝒕 𝒆𝒙𝒊𝒔𝒕. 𝑻𝒐 𝒎𝒆 𝒕𝒉𝒂𝒕 𝒊𝒔 𝒕𝒉𝒆 𝒎𝒐𝒔𝒕 𝒇𝒂𝒔𝒄𝒊𝒏𝒂𝒕𝒊𝒏𝒈 𝒒𝒖𝒂𝒍𝒊𝒕𝒚 𝒐𝒇 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏. 𝑰 𝒉𝒂𝒗𝒆 𝒂𝒍𝒘𝒂𝒚𝒔 𝒃𝒆𝒆𝒏 𝒌𝒆𝒆𝒏 𝒐𝒏 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒔 𝒐𝒇 𝒂𝒍𝒍 𝒌𝒊𝒏𝒅𝒔…𝒎𝒐𝒏𝒔𝒕𝒆𝒓𝒔, 𝒄𝒓𝒆𝒂𝒕𝒖𝒓𝒆𝒔, 𝒂𝒏𝒊𝒎𝒂𝒍𝒔. 𝑬𝒗𝒆𝒓 𝒔𝒊𝒏𝒄𝒆 𝑰 𝒘𝒂𝒔 𝒂 𝒌𝒊𝒅, 𝑰’𝒗𝒆 𝒃𝒆𝒆𝒏 𝒊𝒏𝒕𝒆𝒓𝒆𝒔𝒕𝒆𝒅 𝒊𝒏 𝒂𝒏𝒊𝒎𝒂𝒍𝒔; 𝒎𝒚 𝒎𝒐𝒎 𝒖𝒔𝒆𝒅 𝒕𝒐 𝒈𝒆𝒕 𝒎𝒆 𝒂𝒍𝒍 𝒌𝒊𝒏𝒅𝒔 𝒐𝒇 𝒃𝒐𝒐𝒌𝒔 𝒂𝒃𝒐𝒖𝒕 𝒕𝒉𝒆𝒎 — 𝒕𝒉𝒆 𝒘𝒆𝒊𝒓𝒅𝒆𝒓, 𝒕𝒉𝒆 𝒃𝒆𝒕𝒕𝒆𝒓. 𝑳𝒂𝒕𝒆𝒓 𝒐𝒏, 𝑰 𝒃𝒆𝒈𝒂𝒏 𝒎𝒊𝒙𝒊𝒏𝒈 𝒅𝒊𝒇𝒇𝒆𝒓𝒆𝒏𝒕 𝒂𝒏𝒊𝒎𝒂𝒍 𝒑𝒂𝒓𝒕𝒔 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓 𝒕𝒐 𝒄𝒓𝒆𝒂𝒕𝒆 𝒎𝒚 𝒐𝒘𝒏. 𝑰 𝒆𝒏𝒋𝒐𝒚 𝒔𝒕𝒖𝒅𝒚𝒊𝒏𝒈 𝒇𝒆𝒂𝒕𝒖𝒓𝒆𝒔 — 𝒆𝒚𝒆𝒔, 𝒏𝒐𝒔𝒆𝒔, 𝒎𝒐𝒖𝒕𝒉𝒔 — 𝒔𝒆𝒑𝒂𝒓𝒂𝒕𝒆𝒍𝒚 𝒕𝒐 𝒔𝒆𝒆 𝒉𝒐𝒘 𝑰 𝒄𝒂𝒏 𝒄𝒐𝒎𝒃𝒊𝒏𝒆 𝒕𝒉𝒆𝒎 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓 𝒕𝒐 𝒎𝒂𝒌𝒆 𝒕𝒉𝒆𝒎 𝒍𝒐𝒐𝒌 𝒇𝒖𝒏𝒏𝒚 𝒐𝒓 𝒘𝒆𝒊𝒓𝒅.” (𝒔𝒕𝒓𝒆𝒆𝒕𝒂𝒓𝒕𝒏𝒚𝒄)
.
𝑭𝒊𝒓𝒔𝒕 𝑺𝒕𝒓𝒆𝒆𝒕 𝑮𝒓𝒆𝒆𝒏 𝑷𝒂𝒓𝒌
.
𝑬𝒂𝒔𝒕 𝑽𝒊𝒍𝒍𝒂𝒈𝒆, 𝑵𝒀𝑪 21𝒏𝒐𝒗19 🇺🇸
“GᖇEEᑎ ᑕᖇᗩYOᑎ ᗯEᗩᖇIᑎG ᗩ ᗷᗩᑕKᑭᗩᑕK” 🖍 🎒 .
ᖴIᖇᔕT ᔕTᖇEET GᖇEEᑎ ᑭᗩᖇK .
EᗩᔕT ᐯIᒪᒪᗩGE, ᑎYᑕ 🇺🇸
@invaderwashere .
𝙄𝙣𝙫𝙖𝙙𝙚𝙧 𝙞𝙨 𝙖𝙣 𝙖𝙣𝙤𝙣𝙮𝙢𝙤𝙪𝙨 𝙁𝙧𝙚𝙣𝙘𝙝 𝙨𝙩𝙧𝙚𝙚𝙩 𝙖𝙧𝙩𝙞𝙨𝙩 𝙗𝙚𝙨𝙩 𝙠𝙣𝙤𝙬𝙣 𝙛𝙤𝙧 𝙥𝙞𝙭𝙚𝙡𝙖𝙩𝙚𝙙 𝙢𝙤𝙨𝙖𝙞𝙘𝙨 𝙞𝙣𝙨𝙩𝙖𝙡𝙡𝙚𝙙 𝙞𝙣 𝙘𝙞𝙩𝙞𝙚𝙨 𝙖𝙧𝙤𝙪𝙣𝙙 𝙩𝙝𝙚 𝙬𝙤𝙧𝙡𝙙. 𝙄𝙣𝙫𝙖𝙙𝙚𝙧’𝙨 𝙬𝙤𝙧𝙠𝙨 𝙖𝙧𝙚 𝙘𝙤𝙢𝙥𝙤𝙨𝙚𝙙 𝙤𝙛 𝙩𝙞𝙡𝙚𝙨 𝙧𝙚𝙨𝙚𝙢𝙗𝙡𝙞𝙣𝙜 𝙩𝙝𝙚 𝙫𝙞𝙣𝙩𝙖𝙜𝙚 𝙜𝙧𝙖𝙥𝙝𝙞𝙘𝙨 𝙛𝙧𝙤𝙢 𝙩𝙝𝙚 𝙫𝙞𝙙𝙚𝙤 𝙜𝙖𝙢𝙚 𝙎𝙥𝙖𝙘𝙚 𝙄𝙣𝙫𝙖𝙙𝙚𝙧𝙨, 𝙩𝙝𝙚 𝙨𝙤𝙪𝙧𝙘𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙖𝙧𝙩𝙞𝙨𝙩’𝙨 𝙥𝙨𝙚𝙪𝙙𝙤𝙣𝙮𝙢. “𝙄 𝙝𝙖𝙫𝙚 𝙣𝙚𝙫𝙚𝙧 𝙗𝙚𝙚𝙣 𝙩𝙚𝙢𝙥𝙩𝙚𝙙 𝙩𝙤 𝙧𝙚𝙫𝙚𝙖𝙡 𝙢𝙮 𝙞𝙙𝙚𝙣𝙩𝙞𝙩𝙮,” 𝙩𝙝𝙚 𝙖𝙧𝙩𝙞𝙨𝙩 𝙝𝙖𝙨 𝙨𝙖𝙞𝙙. “𝙒𝙝𝙖𝙩 𝙄 𝙙𝙤 𝙖𝙣𝙙 𝙘𝙧𝙚𝙖𝙩𝙚 𝙞𝙨 𝙢𝙤𝙧𝙚 𝙞𝙢𝙥𝙤𝙧𝙩𝙖𝙣𝙩 𝙩𝙝𝙖𝙣 𝙬𝙝𝙤 𝙚𝙭𝙖𝙘𝙩𝙡𝙮 𝙄 𝙖𝙢.” (𝙖𝙧𝙩𝙣𝙚𝙩)
.
.
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𝙉𝙚𝙬 𝙔𝙤𝙧𝙠 𝘾𝙞𝙩𝙮, 🇺🇸 21𝙣𝙤𝙫19
21/22/23nov19. NYC.
NEW YORK CITY STREET ART: “RAD”
24nov19.NYC.
NEW YORK CITY STREET ART: “MONEY HUNGRY” By KEY DETAIL
@keydetail 𝘪𝘴 𝘮𝘢𝘥𝘦 𝘶𝘱 𝘰𝘧 𝘩𝘶𝘴𝘣𝘢𝘯𝘥 𝘢𝘯𝘥 𝘸𝘪𝘧𝘦 𝘥𝘶𝘰 𝘈𝘯𝘥𝘳𝘦𝘪 𝘒𝘳𝘢𝘶𝘵𝘴𝘰𝘶 𝘢𝘯𝘥 𝘑𝘶𝘭𝘪𝘢 𝘠𝘶-𝘉𝘢𝘣𝘢. 𝘒𝘳𝘢𝘶𝘵𝘴𝘰𝘶 𝘴𝘵𝘶𝘥𝘪𝘦𝘥 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘥𝘦𝘴𝘪𝘨𝘯 𝘪𝘯 𝘔𝘪𝘯𝘴𝘬, 𝘉𝘦𝘭𝘢𝘳𝘶𝘴 𝘢𝘯𝘥 𝘪𝘴 𝘤𝘶𝘳𝘳𝘦𝘯𝘵𝘭𝘺 𝘣𝘢𝘴𝘦𝘥 𝘪𝘯 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬. 𝘒𝘦𝘺 𝘋𝘦𝘵𝘢𝘪𝘭 𝘩𝘢𝘴 𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦𝘥 𝘮𝘰𝘳𝘦 𝘵𝘩𝘢𝘯 50 𝘭𝘢𝘳𝘨𝘦-𝘴𝘤𝘢𝘭𝘦 𝘮𝘶𝘳𝘢𝘭𝘴 𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵 𝘯𝘪𝘯𝘦 𝘺𝘦𝘢𝘳𝘴 𝘢𝘭𝘭 𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥. (𝘪𝘯𝘴𝘪𝘥𝘦𝘪𝘯𝘥𝘪𝘢𝘯𝘢𝘣𝘶𝘴𝘪𝘯𝘦𝘴𝘴)
22nov19. NYC.
NEW YORK CITY, NEW YORK STREET ART: BIRDS OF A FEATHER
21/22/23nov19. NYC.
NEW YORK CITY, NEW YORK STREET ART: VHILS
𝘗𝘰𝘳𝘵𝘶𝘨𝘶𝘦𝘴𝘦 𝘢𝘳𝘵𝘪𝘴𝘵 𝘈𝘭𝘦𝘹𝘢𝘯𝘥𝘳𝘦 𝘍𝘢𝘳𝘵𝘰 𝘢.𝘬.𝘢. 𝘝𝘩𝘪𝘭𝘴’ 𝘨𝘳𝘰𝘶𝘯𝘥𝘣𝘳𝘦𝘢𝘬𝘪𝘯𝘨 𝘣𝘢𝘴-𝘳𝘦𝘭𝘪𝘦𝘧 𝘤𝘢𝘳𝘷𝘪𝘯𝘨 𝘵𝘦𝘤𝘩𝘯𝘪𝘲𝘶𝘦 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘩𝘢𝘪𝘭𝘦𝘥 𝘢𝘴 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘤𝘰𝘮𝘱𝘦𝘭𝘭𝘪𝘯𝘨 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘦𝘴 𝘵𝘰 𝘢𝘳𝘵 𝘤𝘳𝘦𝘢𝘵𝘦𝘥 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘵𝘳𝘦𝘦𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘭𝘢𝘴𝘵 𝘥𝘦𝘤𝘢𝘥𝘦. . …”𝘣𝘳𝘶𝘵𝘢𝘭 𝘢𝘯𝘥 𝘤𝘰𝘮𝘱𝘭𝘦𝘹, 𝘺𝘦𝘵 𝘪𝘮𝘣𝘶𝘦𝘥 𝘸𝘪𝘵𝘩 𝘢 𝘴𝘪𝘮𝘱𝘭𝘪𝘤𝘪𝘵𝘺 𝘵𝘩𝘢𝘵 𝘴𝘱𝘦𝘢𝘬𝘴 𝘵𝘰 𝘵𝘩𝘦 𝘤𝘰𝘳𝘦 𝘰𝘧 𝘩𝘶𝘮𝘢𝘯 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘴. 𝘈𝘯 𝘰𝘯𝘨𝘰𝘪𝘯𝘨 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘯 𝘪𝘥𝘦𝘯𝘵𝘪𝘵𝘺, 𝘰𝘯 𝘭𝘪𝘧𝘦 𝘪𝘯 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘶𝘳𝘣𝘢𝘯 𝘴𝘰𝘤𝘪𝘦𝘵𝘪𝘦𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦𝘪𝘳 𝘴𝘢𝘵𝘶𝘳𝘢𝘵𝘦𝘥 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘴, 𝘪𝘵 𝘦𝘹𝘱𝘭𝘰𝘳𝘦𝘴 𝘵𝘩𝘦𝘮𝘦𝘴 𝘴𝘶𝘤𝘩 𝘢𝘴 𝘵𝘩𝘦 𝘴𝘵𝘳𝘶𝘨𝘨𝘭𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘵𝘩𝘦 𝘢𝘴𝘱𝘪𝘳𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘪𝘯𝘥𝘪𝘷𝘪𝘥𝘶𝘢𝘭 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘥𝘦𝘮𝘢𝘯𝘥𝘴 𝘰𝘧 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘭𝘪𝘧𝘦, 𝘰𝘳 𝘵𝘩𝘦 𝘦𝘳𝘰𝘴𝘪𝘰𝘯 𝘰𝘧 𝘤𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘶𝘯𝘪𝘲𝘶𝘦𝘯𝘦𝘴𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘢𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘰𝘮𝘪𝘯𝘢𝘯𝘵 𝘮𝘰𝘥𝘦𝘭 𝘰𝘧 𝘨𝘭𝘰𝘣𝘢𝘭𝘪𝘴𝘦𝘥 𝘥𝘦𝘷𝘦𝘭𝘰𝘱𝘮𝘦𝘯𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘪𝘯𝘤𝘳𝘦𝘢𝘴𝘪𝘯𝘨𝘭𝘺 𝘶𝘯𝘪𝘧𝘰𝘳𝘮 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘪𝘵 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘪𝘮𝘱𝘰𝘴𝘪𝘯𝘨 𝘢𝘳𝘰𝘶𝘯𝘥 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥. 𝘐𝘵 𝘴𝘱𝘦𝘢𝘬𝘴 𝘰𝘧 𝘦𝘧𝘧𝘢𝘤𝘦𝘮𝘦𝘯𝘵 𝘣𝘶𝘵 𝘢𝘭𝘴𝘰 𝘰𝘧 𝘳𝘦𝘴𝘪𝘴𝘵𝘢𝘯𝘤𝘦, 𝘰𝘧 𝘥𝘦𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘺𝘦𝘵 𝘢𝘭𝘴𝘰 𝘰𝘧 𝘣𝘦𝘢𝘶𝘵𝘺…” (𝘷𝘩𝘪𝘭𝘴.𝘤𝘰𝘮)
@vhils
𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘊𝘪𝘵𝘺, 𝘕𝘰𝘓𝘪𝘵𝘢. 22𝘯𝘰𝘷19 🇺🇸
