KATHMANDU, NEPAL: TRI-CHANDRA COLLEGE

Tri-Chandra College is Nepal’s oldest university campus. It’s a landmark of social change—from Rana elitism to democratic learning—and a heritage site now being reclaimed through restoration.
Built: 1918
2015 earthquake destroyed quite a bit.
Kathmandu, Nepal 🇳🇵
17july25

KATHMANDU, NEPAL: NARAYANHITI PALACE

Narayanhiti Palace was the royal residence of the Shah kings of Nepal from the 1960s until 2008, when the monarchy was abolished and Nepal became a republic. The palace witnessed decades of political drama—including the tragic royal massacre of 2001, where King Birendra and much of the royal family were killed.
In 2009, the palace was turned into the Narayanhiti Palace Museum.
14july25

KATHMANDU, NEPAL STREET ART: WHERE ARE YOU FROM?

July 2025

KATHMANDU, NEPAL: RANI POKHARI

Rani Pokhari (literally “Queen’s Pond”) is a historic square pond in central Kathmandu, built by King Pratap Malla in 1670 AD (reign: Malla dynasty) to console his grieving queen after the death of their son  Chakravartendra Malla .

16july25

KATHMANDU, NEPAL: IT JUST IS

a doorway—no door—just a black void framed in bruised blues and rust.

I’ve just begun a three-month stint in Kathmandu, and already the walls are speaking.

Maybe it’s the way this city wears its decay—Or maybe it’s how the people walk past it all—past peeling paint, past gaping doorways, past graffiti—without without pause. As if the city’s textures are a second skin, too familiar to notice anymore.

a young guy walking, eyes glued to his phone. the graffiti is loud, and yet, he still doesn’t flinch
a whole building wearing a sari of sorts

I’m new here, so I haven’t gone numb yet. And so I watch. I walk. I linger. I wonder what lives behind the curtain, who walked through that dark doorway, and whether the walls will ever shout loud enough to be heard again.

Kathmandu is a city that doesn’t bother performing for you. It just is.

July2025

KATHMANDU, NEPAL STREET ART: SPLIT PERSONALITY by CHRIS DYER

16july25

KATHMANDU, NEPAL STREET ART: SPACE INVADER

Indra Chowk

16july25

KATHMANDU, NEPAL STREET ART: I AM DIFFERENT by HERAKUT


Herakut is the Berlin‑based artist duo of Hera (Jasmin Siddiqui, b. 1981) and Akut (Falk Lehmann, b. 1977), who joined forces around 2004 to blend their talents under a shared name . Hera, classically trained in fine art and graphic design, brings gestural brushwork, drips, and emotional depth. Akut, a pioneer of photorealistic graffiti (as a co‑founder of the Ma’Claim crew), adds sharp realism and refinement .
This was a tough one to photograph. There was nowhere to get a clear shot. But, any glimpse of a Herakut mural, is a gift.

16July2025

KATHMANDU, NEPAL: BIKES …


In Kathmandu, bikes aren’t just transport. They’re sculpture. Art out in the open. A kind of poetry.

July2025

KATHMANDU, NEPAL: LIVING HERE FOR A WHILE ~ Tourist vs.Traveler

There’s a strange kind of clarity that comes from sweating through your clothes on a July afternoon in Kathmandu. It’s monsoon season.

I’ve been in Nepal’s capital for a few days now. Long enough for me to switch from my Birkenstocks to my Nike Cortezes as I navigate through the grime of the city, long enough to stop flinching when motorbikes barrel past me in alleys. I’m used to it from living in Cairo and Saigon, but, after living in slow-paced Bhutan for the past year, it took about two days to remember, that we’re all working together. Just keep moving, the bikes will go around you. Be confident. Long enough to remember that I didn’t come here to be a tourist.

Because there is a difference.

A tourist arrives with a checklist.
They come for the temples, the rooftop views, the dal bhat on a thali set that looks good on Instagram. They come to “see.” And there’s nothing wrong with that. Everyone starts there.

But a traveler stays long enough to be changed.

You start to recognize the same faces—fruit vendors, shop clerks. You sit in a café just long enough to feel the day change around you.

The difference is not how far you go or how many countries you tick off. It’s in how close you let the place get.

In Kathmandu, I’ve been letting it get close. Started with the phrases: Namaste! (can’t go wrong with that when greeting someone), “Good morning!” – शुभ बिहानी Śubha bihānī (shooba beehani), “Thank you” – धन्यवाद Dhan’yavāda (don ya vod), “Have a good day” – (shooba deen)

My first week is spent wandering with no destination. Just walking—past courtyards, past street art, lots of hidden gems that a ‘normal’ eye wouldn’t notice.

Other days I sit. I watch. I wait. I let the city lead instead of me trying to conquer it. That’s the traveler’s lesson: you stop trying to do the place, and you start letting it be. The best way.

And it’s not always beautiful. Kathmandu is messy. Chaotic. Gorgeous in an unruly way. There are power cuts and puddles.

I think that’s the point.

Tourists observe. Travelers dissolve.

So for this summer, I’m letting myself dissolve a little—into the noise, the dust, the color, the chaos. I’m not chasing experiences to collect; I’m letting them collect me.

And when I leave, I won’t remember every temple. But I’ll remember the guy that makes me breakfast and brings me delicious coffee every morning. His short gray ponytail, his contagious smile that activates the twinkle in his eyes. The woman who gives me free bananas after a long conversation in broken Nepali, comprised of much laughter. The sound of the rain on corrugated tin and tree leaves. I love a good monsoon.

I came for a season. I’m staying for something more.

—jackie.