SAIGON, VIETNAM 🇻🇳: THE TRAP OF NOSTALGIA

I carried Saigon in my head for sixteen years like a photograph I never updated. The motorbikes were there. The heat was there. The French buildings and the coffee and the chaos were all there, perfectly preserved in the version of the city I left in 2010. I didn’t realize I’d been treating a living place like a souvenir.

When you leave somewhere, it stops. For you. The clock freezes on the last thing you saw, the last corner you turned, the last bowl of pho you ate before you got on the plane. And your brain files it away under “Saigon” and closes the drawer and every time you think about it, you open the same drawer and find the same city, unchanged, waiting.

I came back expecting reunion. What I got was introduction. This is not the city I left. This is a city that kept going after I stopped watching. The graffiti that didn’t exist before is everywhere now. The 7-Eleven that wasn’t here is struggling on the corner. The kids skating Dong Khoi weren’t born when I was last here. Notre Dame is wrapped in scaffolding. The backpacker street got louder and the alleys got tagged and the skyline got taller.

And the thing is, I did the same thing. I’m not the person who was here in 2010, either. I’ve lived in countries that didn’t exist on my radar back then. I’ve written books that weren’t even ideas. I’ve lost people and found people and become someone the 2010 version of me wouldn’t entirely recognize. I changed too. I just didn’t notice because I was inside the change.

That’s the trap of nostalgia. It’s not that you miss a place. It’s that you miss the version of yourself that was in it. You go back expecting to find both, and instead you find a stranger standing in a city full of strangers, all of whom have been busy living while you were busy remembering.

I get it now. Places are not museums. They don’t owe you the version you left behind. They don’t preserve themselves for your return. They keep building, keep painting, keep tearing down and starting over, because that’s what living things do. The Saigon I remembered doesn’t exist. But the Saigon that does exist is louder, messier, more complicated, and more alive than anything my memory could hold.

I didn’t lose the old city. I just finally showed up for the new one.

April 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: VÌ MỘT MÔI TRƯỜNG XANH

Vietnamese community propaganda, or tranh cổ động.

*While the word “propaganda” often carries a heavy political weight in the West, in Vietnam, it is frequently used by local wards (phường) for social mobilization and civic education.

“VÌ MỘT MÔI TRƯỜNG XANH”
(For a Green Environment)

😆 The wonderful irony: a mural pleading for a green environment serves as a shelf for a plastic takeaway cup of trà tắc (kumquat tea).

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Saigon, Vietnam 🇻🇳

SAIGON, VIETNAM 🇻🇳 STREET ART: BLUE DRAGON 🐉

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SAIGON, VIETNAM 🇻🇳 STREET ART: CONICAL HAT & LANTERNS

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SAIGON, VIETNAM 🇻🇳 STREET ART: WAVERIDERS

April 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: SCENES

April 2026

SAIGON, VIETNAM 🇻🇳: BEFORE I GOT HERE…

Before I got here, the Cafe Apartment building at 42 Nguyen Hue was at the top of my list. A 1960s apartment block with 50 cafes stacked nine stories high. I’d seen the photos a hundred times. I finally went. Stood outside. Took this photo.
And realized everything I wanted was down there.
The best coffee in this city costs 15,000 dong on a plastic stool from a woman who doesn’t have an Instagram account. The best food is served on a plate you didn’t choose from a menu you can’t read. The best views are at eye level, not from a balcony. Saigon doesn’t get better the higher you go. It gets better the closer you sit to the ground.
Kids skating Dong Khoi today. The same street where French officers took evening walks, where war correspondents filed stories from the Continental, where tanks rolled in on April 30, 1975. Now it’s a skate spot. Vietnam’s youth keep finding ways to claim public space that nobody offered them. Fifty years from revolution to kickflip. Uncle Ho didn’t plan for this but I think the street is better for it.
There are writers getting up high here.

April 2026

SAIGON, VIETNAM 🇻🇳 STREET ART: MORE PROPAGANDA


“Nhân dân Phường Phạm Ngũ Lão bảo vệ môi trường” (People of Pham Ngu Lao Ward protect the environment).

“Đảm bảo trật tự an toàn giao thông là trách nhiệm của mỗi người” (Ensuring traffic order and safety is everyone’s responsibility).

 “Ma túy hủy hoại cuộc sống – Hãy tránh xa” (Drugs ruin lives – Stay away).

 “Nói không với thuốc lá và thuốc lá điện tử” (Say no to cigarettes and e-cigarettes).

 “Chấp hành luật về trật tự an toàn giao thông…” (Comply with the law on traffic order and safety…).

“Ma túy – Hiểm họa của cộng đồng. Không sử dụng ma túy dù chỉ một lần” (Drugs – A danger to the community. Do not use drugs even once).

 “Sách là bạn” (Books are friends).

2april26

SAIGON, VIETNAM STREET ART: TEXTBOOK SOCIAL REALISM

The main slogan:

“Đảng gắn bó mật thiết với nhân dân, dựa vào nhân dân để xây dựng Đảng!”

“The Party is closely bound to the people, relying on the people to build the Party!”

The small text at the top reads: celebrating the 96th anniversary of the founding of the Communist Party of Vietnam (3/2/1930 – 3/2/2026). So this is a fresh one, printed this year for the February 3rd anniversary.

The cast of characters is textbook socialist realism: soldier, construction worker, businesswoman, farmer/worker woman, and a Young Pioneer child with the red scarf. The modern skyline behind them includes what looks like Landmark 81 and the Thu Thiem Bridge. Lotus flowers along the bottom, Vietnam’s national flower. The hammer and sickle on a red banner flying over all of it.

The message is the party’s core pitch: we exist because of you, we serve you, we need you. The reality is a one-party state where nobody voted for any of the people who approved this poster. But the lotus flowers are nice.

This mural depicts one of Vietnam’s most iconic architectural landmarks: the Khue Van Cac (Pavilion of the Constellation of Literature), located within the Temple of Literature (Văn Miếu – Quốc Tử Giám) in Hanoi.

Above: A shutter in Central Saigon.

Below: You see these xích lô drivers everywhere in Saigon, but I love how this one looks parked in front of the mural. It’s like a living gallery wall where the traditional meets the modern street scene.

March 2026

SAIGON, VIETNAM 🇻🇳: LOOKING UP

“A Legacy in Bronze” – The majestic statue of President Ho Chi Minh stands tall against a soft blue sky, overseeing the square with a welcoming gesture. The fresh flowers at the base speak to the enduring respect held for “Uncle Ho.”
The Art of the Brew
“From Bean to Cup” – A vibrant mural celebrates the journey of Vietnamese coffee, set against a backdrop of fluttering national flags. It’s a beautiful tribute to the culture behind every “Cà Phê.”
“The Morning Ritual” – Two diners enjoy breakfast on plastic stools, framed by Vietnam flag. Perfect, intentional, slow moments.
“Signs of the Times” – Gold-leaf columns meet graffiti and a patchwork of advertisements. Chaotic, layered, and the undeniably cool aesthetic of Vietnam’s evolving urban landscape.
“Looking Up”
A low-angle perspective of the Ho Chi Minh monument emphasizes his towering influence and the clear, hopeful horizon ahead.

March2026