BANGKOK, THAILAND: THE MYTH OF TRAVEL

A man on a motorbike passes by an old building screaming with graffiti. Mo Chit, Bangkok.

The myth of travel for me was that it would give me a new life.
The truth is that it has given me a clearer view of the one I am already living.

I am writing this from Bangkok.

Twenty three years into a nomadic life that once felt like permanent ‘becoming.’

For a long time, I believed that if I moved far enough, something inside me would rearrange. That airports, bus terminals, and train stations were thresholds. That boarding passes carried permission. That somewhere else, I would feel more aligned with the person I was trying to become.

Chatuchak Market. Early morning. Before the consumers arrive.

Movement felt like possibility.

I keep thinking about how returning to Japan this time unsettled me. Not dramatically. Not catastrophically. Just enough.

I kept waiting for recognition. For the version of myself who once loved Japan with a kind of hunger to step forward again. She did not.

The trains still ran precisely. The light still fell cleanly across the streets. The aesthetic restraint that once steadied me was still intact.

But I was not the same woman who needed that steadiness.

When I first lived there, in 2003, I required structure. I needed disciplined beauty. Japan felt like instruction.

Now I am less in need of instruction.

Feeling disillusioned in Tokyo, Japan. Fall, 2025.

Travel did not fail me. It clarified me.

Mobility, after twenty three years, is not reinvention. It is confrontation.

Confrontation with nostalgia.
With former selves.
With the illusion that geography can absolve you of continuity.

We romanticize starting over because it sounds hopeful. Because it sells tickets. Because it suggests we can outpace our own history.

But no skyline erases you.

Now, back in Bangkok, considering Vietnam not as destiny but as movement, I see this more clearly.

I am not searching for a new life.

I am tracing the shape of the one I have built.

I can’t calculate how long I sometimes stand, waiting for a bird that is buzzing around, to enter my frame. Birds in flight. Something I can relate to.

There is gratitude in that.

Gratitude that disappointment can be information rather than loss.
Gratitude that cities act as mirrors.
Gratitude that movement sharpens perception rather than promises transformation.

The myth of travel for me was that it would give me a new life.
The truth is that it has given me a clearer view of the one I am already living.

And clarity, at this stage, feels steadier than reinvention.

February 2026

OSAKA, JAPAN STREET ART: ALAN WATTS BY DAAS

Osaka-based, American transplant, artist DAAS is making Osaka more beautiful one mural at a time. Japan is slow to embrace the value of masterful street art pieces for the betterment of its communities, but it’s great to see that at least, DAAS is contributing to the progress in that direction. Here is his “Alan Watts” piece on the side of Kuma Cafe in Tempozan. (The owner/s of Kuma Cafe deserve a shout out for their support of public art!) 

Tokidoki: Why Alan Watts? (One of my absolute favorite philosophers/thinkers!)

DAAS: I don’t really have anyone I consider a “hero” per se, but after being invited to have my work featured in a street art book with the theme of “heroes”, I thought about someone who I admired and who made an impact on me. I really enjoy his words and philosophies about life and culture. I wanted this mural to bring more awareness to who he was. That’s why I chose Alan Watts. 

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“…tomorrow and plans for tomorrow can have no significance at all unless you are in full contact with the reality of the present, since it is in the present and only in the present that you live.” – Alan Watts

12mar16. Osaka, Japan.