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24dec25

In August 2018, Meeting of Styles Thailand happened here (4–5 Aug). Thai media and event coverage describe it as a big graffiti gathering that helped transform the park into a recognized hangout/landmark—basically Bangkok saying, okay, we see you.
That matters, because festivals like this don’t just “decorate.” They validate. They make a space harder to erase.
Why it matters (beyond “cool photos”)
1) It’s a rare public compromise.
Bangkok has murals all over, but graffiti is a different beast—more raw, more layered, more conversational. Chaloemla is one of those places where veterans and newbies share the same walls, and the city sort of… lets it happen.

2) It’s a visual diary of the neighborhood.
This isn’t museum art behind glass. It’s art next to daily life—heat, traffic, school kids, office workers cutting through, people sitting for a minute because Bangkok is exhausting and a bench is a small miracle.

3) It changes. Constantly.
If you go back in a week, something will be different. That’s the point. It’s not a “finished” gallery. It’s a living draft.

How to find it:
The easiest way: take BTS to Ratchathewi, then walk toward Hua Chang Bridge—the park is right at the foot of it.
It’s also close to Saphan Hua Chang Pier if you’re moving by canal.







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8jan26

Bangkok’s street art scene isn’t a single “district.” It’s a scavenger hunt. And Alex Face is one of the artists who helped make that hunt feel like a real cultural map, not just random paint.
You’ll see Mardi mentioned in street-art guides as a key marker of the city, with sightings around areas like Charoen Krung / Bang Rak and near Siam/Ratchathewi.

I think that’s why Alex Face works in Bangkok so well. This city is intense—loud, beautiful, exhausting, funny, harsh, generous, all at once.
Mardi is the pause inside all that. A tiny, sad-eyed reminder that under the neon and the traffic and the hustle, there’s still something human trying to stay human.


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24dec25

These are Khon / Ramakien characters — Thailand’s masked classical-dance figures from the Thai version of the Ramayana epic.

In this post:
• Right figure (white mask): a monkey warrior, most commonly Hanuman (the famous white monkey general).

Center figure (dark/green-toned mask, royal crown, heavy armor): a yak (giant/demon) character — often shown as Thotsakan (Tosakan/Ravana) or another giant from the Ramakien.





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