KATHMANDU, NEPAL: ONE LONG HOLIDAY

Sometimes I catch myself realizing my life has stretched out like one long holiday. Not in the sense of beaches or cocktails, but in the rhythm of waking up in new cities, walking streets that don’t know my footsteps at first, but quickly become acquainted, finding quiet corners where I can write, drink coffee, and watch the world move.

It’s not about luxury—it’s about chance. About the fortune of being able to live this way, to keep moving, to keep learning. The holiday is in the gratitude: for the places that have welcomed me, for the people whose paths crossed mine for a while, for the art and colors that have left their mark on me.

I don’t take it for granted. Every day feels like a gift. And so I walk with thanks, intending to carry this long holiday in my heart for as long as I can.

30august2025

KATHMANDU, NEPAL STREET ART: BLUE INVADER

28aug2025

KATHMANDU, NEPAL: MAKTUB – THE RETURN TO TOKYO

A man making an early morning purchase at a local shop, post-revolution.

I’m sitting in Kathmandu, Nepal, where I’ve spent the last three months tangled up in bureaucracy and history—organizing my work visa for Japan while watching a government fall and a revolution unfold. My original flight out with Cathay Pacific was cancelled in the upheaval, and now I’m set to board Air India instead. I’m not as confident about that, but maybe everything does happen for a reason.

It’s hard to sit still. I’m on pins and needles. Because this isn’t just another trip, it’s a return. In 2003, Tokyo was my first leap into living abroad. I landed in Ebisu, and in those sleepless nights I wandered the city lit like a dreamscape in neon, often at 4 a.m., with Jarren, a newfound lost soul. That moment in time was alive with possibility. Since then, I’ve lived in Kobe and Okinawa, and in over 40 other countries, and visited Tokyo a few times. But I haven’t lived there in 22 years.

Now I’m going back—not just to the city, but to teaching EFL again. To walk Tokyo’s streets knowing I once began there and now I’m circling back, older, sharper, carrying every country and classroom in between—it’s going to be mind-blowing.

From Kathmandu’s chaos to Tokyo’s neon, the return feels like destiny looping back on itself.

I first read “The Alchemist” before my first journey to Tokyo all those years ago and out of nowhere, it jumped out at me here in Kathmandu. Again, ‘Maktub.’

And maybe it’s simply ‘maktub,’ as Coelho wrote in The Alchemist—“it is written.” That first leap into Tokyo in 2003, the years spent in Kobe and Okinawa, and everywhere else, the detour through Kathmandu in the middle of a revolution, even a cancelled flight—each piece feels like it was always leading me back. Not chance, not coincidence, but a return that was already written into my story long before I could see the shape of it.

16sep2025

KATHMANDU, NEPAL STREET ART: GANESH

Ganesh—also called Ganesha or Ganapati—is one of the most beloved deities in Hinduism. Recognizable by his elephant head, he’s the remover of obstacles, the god of wisdom, learning, and new beginnings. That’s why people often call on him before starting journeys, projects, or important life steps. His big ears symbolize listening, his large head symbolizes wisdom, and his broken tusk represents sacrifice and resilience.

August2025

KATHMANDU, NEPAL: THE HILTON IS BURNING

The Hilton – 6pm – Thursday, September 11, 2025

KATHMANDU, NEPAL: LOVE LETTER TO NEPAL

September 13, 2025

KATHMANDU, NEPAL STREET ART: PEACE & LOVE


“Hatred does not cease by hatred, but only by love; this is the eternal law.”
— The Dhammapada

August 2025

KATHMANDU, NEPAL: WITHOUT EXPLANATION

Sometimes, I just need to walk Kathmandu—not as a tourist, not as a consumer. I need to walk simply to feel the city.

And yet, there’s this constant pull—a voice offering a taxi, a hand waving me into a shop, someone trying to sell me what I don’t need. I understand it. It’s survival, it’s how people make their living here. But sometimes it feels like no one sees the person who just wants to be.

I want to walk without explanation, to not have to say no, thank you a hundred times, to not feel like my presence must equal a transaction.

August 2025

KATHMANDU, NEPAL: CHANGE DOESN’T COME THROUGH SILENCE

Kathmandu, September 11, 2025

We are on our third day of lockdown here in Kathmandu. The streets are eerily quiet, yet the walls still speak. I walked past a piece of graffiti sprayed in blue letters:

“Change doesn’t come through silence.”

In three days, everything has shifted. A week ago, protests were announced — peaceful, student-led. Then came the sudden shutdown of 26 social media platforms over the weekend, a digital gag order that left us all wondering what was going on. And then, when people filled the streets on Monday, out came the tear gas, the rubber bullets, the live ammunition. Nineteen people killed, hundreds injured. I saw a new death toll of 22 today.

Now, silence has been imposed through curfew. Roads are blocked, shops shuttered, public life suspended. It is a strange kind of silence — not the peaceful kind, but the heavy kind, enforced by fear and state power. The military is checking foreigners’ IDs for safety of movement.

The graffiti is a phrase for Nepal, but also for anywhere power wants compliance. It’s a reminder that silence isn’t neutral — it protects the status quo. In Chicago, in LA, in Kathmandu — anywhere — silence is what allows those in control to continue unchallenged.

So here, in the stillness of the third day of lockdown, the message feels louder than ever. Even if the streets are emptied and the power is cut, voices are finding their way out. Because history has always shown us: silence never delivers change. People do.

11sep25

KATHMANDU, NEPAL STREET ART: 4TH INVADER…

They keep popping out at me! One month in Kathmandu and this is #4…

6aug2025