



30oct25




30oct25




30oct25

Coming back to Tokyo felt like returning to a dream I’d already woken from. But something’s shifted—subtly, invisibly. Maybe the city hasn’t changed. Maybe I have.
They say you can’t go home again, but I didn’t believe it until now. You can retrace every step, find the same ramen shop, walk the same narrow streets—but the feeling doesn’t return. What once shimmered with newness now feels distant.

It’s not sadness exactly—it’s something quieter. A recognition that time moves in only one direction, and the places that once felt like home remain suspended in a version of the past that no longer exists.
So I walk the same streets again, but this time as a ghost—half here, half somewhere that can’t be reached anymore. Tokyo is still beautiful. It’s just not mine in the same way it was before.



November 2025

30october2025




27october2025

Just a minute’s walk from the North Exit of Komae Station, you step off the Odakyū Line and into another world. Senryū-ji Temple sits quietly in the heart of Komae City, a reminder that even in suburban Tokyo—defined by trains, apartments, and convenience stores—the past is still alive, waiting for you to notice. I happened upon it and could feel the pull from concrete into lush greenery.

Founded in the year 765 by the monk Rōben, who is also tied to the great Tōdai-ji in Nara, Senryū-ji has been a place of prayer and continuity for more than twelve centuries.

The temple grounds are not sprawling, but they hold treasures: a two-storied bell tower rare in Tokyo, cultural assets protected by the city, and a pond dedicated to Benzaiten said to have appeared when Rōben prayed for rain. Walking here, you can feel how myth, history, and everyday devotion overlap.

What I love about Senryū-ji is its sense of contrast. The hum of trains and the rhythm of weekend revelers are right outside the gate, but inside, it’s very quiet, like today, with only the sounds of consistent raindrops pitter-pattering, either on statues, the top of my umbrella, or the changing leaves of autumn. Seasonal colors shift the mood.

Tokyo has countless temples, and many of them overwhelm with their size or their crowds. Senryū-ji is different. It doesn’t demand attention—it invites it. I could breathe here. And I was alone. So rare these days.

If you find yourself on the Odakyū Line, make the stop. Wander into Senryū-ji. It won’t take long, but it may stay with you far longer than you expect. Writing about it now is bringing the experience even more deeply within me.








26oct25

There are times in Tokyo when I forget I’m in one of the busiest cities in the world. I found a place, a moment, a few days ago—this quiet path, where puddles were still holding the rain.
Between city and forest, between movement and stillness.
What I love about Tokyo is this duality: the trains rush, the crowds roar, but just a few steps away, in the center of it all, there’s a silence so deep. The path is empty. It feels like the city is giving you space to breathe.
A reminder that Tokyo is not only glass towers and crowded crossings. Sometimes, it’s just this: a quiet trail, a puddle, and a canopy of trees.
October 2025

There’s a tunnel I walk through sometimes in Tokyo, a stretch of concrete under the train tracks. The walls are covered in layers of graffiti—silver throw-ups, messy tags, bursts of color.

Salarymen walk through it without looking up, briefcases in hand. Nobody really stops here. But the walls show something the clean streets above ground don’t show you.

Tokyo is so often perfect—quiet trains, no litter, iconic vending machines that never fail. But down here, under the bridge, it’s imperfect. Human. And I love that.

I believe that what makes a city real isn’t what it tries to present—it’s…this.


24oct25



17oct25



Kagurazaka feels like a neighborhood caught between worlds.

Writers once wandered here, geisha houses once flourished here, and now it’s families, students, shopkeepers, and the occasional traveler like me.




12oct25