BANGKOK, THAILAND 🇹🇭 STREET ART: OLIAS


OLIAS is a Bangkok-based street artist and muralist, best known for dreamlike figurative murals that mix myth, memory, and quiet emotion rather than overt political statements or hard graffiti lettering.

8jan26

BANGKOK, THAILAND STREET ART & GRAFFITI: “MARDI” by ALEX FACE at CHALOEMLA PARK

Bangkok’s street art scene isn’t a single “district.” It’s a scavenger hunt. And Alex Face is one of the artists who helped make that hunt feel like a real cultural map, not just random paint.

You’ll see Mardi mentioned in street-art guides as a key marker of the city, with sightings around areas like Charoen Krung / Bang Rak and near Siam/Ratchathewi. 

I think that’s why Alex Face works in Bangkok so well. This city is intense—loud, beautiful, exhausting, funny, harsh, generous, all at once.

Mardi is the pause inside all that. A tiny, sad-eyed reminder that under the neon and the traffic and the hustle, there’s still something human trying to stay human.

And that third eye?

It feels like Bangkok’s conscience—quietly open.

24dec25

BANGKOK, THAILAND: PRE-SEEN

Functional and Fading in Talat Noi

I’ve noticed something I didn’t expect: I’ve lost the desire to travel the way I used to.

Not because I’m older, or tired, or suddenly allergic to airports—but because the world feels…pre-seen.

Social media did this slow, invisible thing to travel. It didn’t ruin it outright. It saturated it. Every place arrives before you do. Every “hidden gem” has already been geotagged, filmed in 4K, packaged into a 12-second reel with the same music, the same angles, the same “you HAVE to see this” urgency.

And after a while, your brain starts asking a blunt question:

If I’ve already seen ten thousand images of this place, why do I need to see it in person?

Black and White Conversation, Nonthaburi, Bangkok, Thailand. Photo: Matthew Noble

The old hunger was about discovery. Now discovery feels like scrolling. Like consuming. Like watching other people have experiences at high speed—until the idea of having your own starts to feel redundant. Or performative. Like you’re not traveling for the place anymore, you’re traveling to prove you were there.

I miss the era when travel was mostly private. When the best moments weren’t designed for an audience. When a place could still surprise you because you hadn’t already memorized it through other people’s lenses.

Maybe this is just a phase. Maybe it’s burnout. Maybe it’s grief for a version of the world that felt wider.

10jan2026

BANGKOK, THAILAND STREET ART: COLOR BALL

24dec25

BANGKOK, THAILAND STREET ART: NIGHTMARE BEFORE CHRISTMAS by BASUKA

24dec25

BANGKOK, THAILAND STREET ART: FRIENDS ON GATES

24dec2025

BANGKOK, THAILAND STREET ART: NAGON

24dec25

BANGKOK, THAILAND: WAT PHASUKMANI CHAK

Wat Phasukmani Chak is the English rendering people use for วัดผาสุกมณีจักร (Wat Phasuk Maneechak / Maneejak) — a well-known neighborhood temple in the Muang Thong Thani / Pak Kret area of Nonthaburi (just north of Bangkok).

Uniquely, the temple is known for pet/animal cremation services—so some people honor Buddhist compassion by making merit there in connection with a pet’s passing.  

24dec25

BANGKOK, THAILAND STREET ART: PART OF THE CANAL WALLS

24dec25

BANGKOK, THAILAND STREET ART: PURPLE ALIEN

24dec25